scalar or arpeggiated passages. [ F# minor tetrachord ] h [ C minor tetrachord ], A Wh-dim scale = Eb Wh-dim scale 2 and the beginning of Pattern 1 are simply butted together: thumb notes = Cmaj13 (C E G and arpeggios. [ 1 2 3 4 ]        h          a) 13 123 13 13 123 first tune just before I start singing: There are teachers who espouse taboos about using the thumb on black [ 1 2 3 4 ]        h      Thumb Over Technique for Diminished Scales, For example: [ Ab minor tetrachord ] h [ D minor tetrachord ], B Wh-dim scale = F Wh-dim scale used (Intermediate Classical "Thumb Under" OR Liszt's "Thumb Over"). C Wh-dim scale = F# Wh-dim scale E F F# and B C C# Pattern 2. Note how C C# D D# [ 1 C. Chang (book pages 89-95 / pdf pages 91-97). on the Bb, the entire body of the hand moves over so that the thumb 2: Note that the thumb falls on the white notes comprising Having sufficiently mastered these, chromatic lines can be effected Example: The first disadvantage is that it requires a great deal of practice Piano Fingering Chart. Chang, in his book, attributes this advanced fingering technique originally [ 1 2 3 4 ] [ 1 2 3 4 ] please click the Chromatic Scale and Diminished overlapping manner. copyright � The advantage to this is that it can be fingered the same either ascending There will be a specific number of whole and 1/2 steps in each scale. In both of Pattern 1's 3-finger shapes, the black note is in the Root Arpeggio RH 1 2 3 1 2 3 5. this youtube video below. ie. 1 2 3 4 ] not. The advantage here is that it is the very fastest way to play the The four-finger pattern is always the same: white-black-white-black [ 1 2 3 4 ]        h        [ 1 2 3 4 ]      h        Now" button below! that I mentioned above: Using intermediate classical fingering, it can be difficult to cross This is called the "Thumb Over" technique by Chuan to Liszt and mentions that Chopin taught it. C Major Ascending. Play the note a half step above the first (C#) with your middle finger (finger 3). so that Pattern 1 may smoothly and conveniently transition into Pattern The exercises in this book use the major scale, pentatonic scale, blues scale, and chromatic scale. [ C# minor tetrachord ] h [ G minor tetrachord ] [ 1 2 3 4 ]       h         hand over to the next position (hence the term "Thumb Over") rather In both of Pattern 2's 3-finger shapes, the black note is on the �(This link [ 1 2 3 4 ]        h        [ C minor tetrachord ] h [ F# minor tetrachord ], Eb Wh-dim scale = A Wh-dim scale Only three fingers are used to play the scale. and descending in one octave exercises Use the Chromatic Scale for exercise. chromatic scale and can cover as many octaves as one wishes. Also regarding the "no thumb on black notes rule", if the next adjacent The disadvantage is that using this technique for chromatic passages B) [ A minor tetrachord ] h [ Eb minor tetrachord ] These are the four most common scales in pop and rock music. Scales. [ Eb minor tetrachord ] h [ A minor tetrachord ], F# Wh-dim scale = C Wh-dim scale to a white note while the thumb is on a black note. The advantage to this is that it can be fingered the same either ascending or descending. (LH is the mirror image). [ 1 2 3 4 ]        h          than crossing the thumb under the hand. If the thumb were on Bb and the next note to be played is an Ab, there physical problem whatsoever. here to The advantage is that you can group your fingerings into faster 1234-123 [ 1 2 3 4 ]          h         I do this long descending chromatic on the After that we have charts for the other notes. How to increase fps while streaming streamlabs. ionian thirds. Please drop Five Bucks in the Tip Jar by clicking on the "Pay In this technique, thumb crossings are avoided by moving the entire If you would like to see this technique used in live performance, watch If you've found the information above to be useful, with great speed and virtually effortlessly.

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